4 weeks of basic drawing followed by 4 weeks of painting for students who are true beginners and those who want a refresher course in the basic technical skills of drawing and painting. Observational drawing will be taught from life utilizing line drawings while encouraging the student to develop one’s own vision and style. Drawing skills will be used as foundation to painting. Then explore the technical qualities of both oil and acrylic paints; their respective mediums; the use of different brushes and other tools; color mixing and basic color theory; and basic ideas on how to begin a painting.

First 4 weeks will cover development of intermediate drawing skills based on observation of complex forms and spaces. This training will then be used as a basis for the second 4 weeks of painting in which fundamental concerns of the craft of painting -- understanding color theory and paint mixing, painting tools, surfaces and supports, and the various techniques of impasto, glazing, wet-into-wet, and final varnishes will be emphasized. Students should have some basic training in painting as a prerequisite.

Put together realistic or non-objective 2- or 3-dimensional collages or assemblages (including box art) using papers, fabrics, photographs, and found objects. Emphasize color, texture, and composition as you juxtapose and transform materials into new visual statements that may range from autobiographical expressions to interpretationsof our society and imaginary visions. Experiment with the addition of paint and other media to enhance your images. (With instructor approval, student can take either the first four OR second four sessions @ $120m / $145nm)

If there’s something “wrong” with your painting, it usually has to do with the drawing!! The importance of drawing cannot be underestimated as you learn to develop your visual skills through drawing. Also have fun stretching your drawing skills by exploring a variety of media including pencil, pen and ink, and watercolor wash. Students will discover hidden ability as they utilize both rapid sketch and detailed studies to examine still life set-ups and natural forms such as flowers and plants.We will discuss important drawing fundamentals including composition, value, positive/negative space and form. In addition, Old Master drawings will be examined as tools for learning and inspiration. Please bring a sketchpad (9” X 12”), HB, 2B, 4B pencils and an eraser the first class.

This 4-week (meeting every 2 weeks), intensive seminar focuses on constructive critiques of students’ 2- dimensional artwork. Team-taught by Carol Nipomnich Dixon and Anna Patalano, the seminar explores the individual artist’s conceptual and technical concerns in a highly personalized, dynamic exchange among students and faculty. The aim of the course is to have each artist best realize what he or she is trying to express visually. Students are asked to bring in two to three of their current works for the first session. Meet in GAS gallery.

July 18, Aug. 1, 15, 29

The first 4 weeks will be spent drawing in its application to individual painting projects. All students will draw from life as a way to develop perception and conceptual thinking. Learning to abstract visual elements through drawing can be used as a basis for painting projects regardless of subject matter. During the second 4 weeks, the student is free to explore abstract and non-objective painting, or learn how to deconstruct traditional subjects such as the figure, landscape, and still life to create completely unique and personal visual images. For those who are more adventurous, delving into completely non-objective imagery is also an option based on elements of color, form, and space to structure the image. Different painting materials, mediums, tools, and techniques will be stressed. Critique of class work is an integral part of the course as well as a trip to major exhibits in NYC.

July11-Aug 29

Oil, pastel, watercolor or mixed media. For intermediate and advanced students with a drawing background. Students will learn the basic structure of a painting while working directly from the live model. Anatomy, color, composition, tone, and gesture of the pose will be emphasized. A high energy class environment with emphasis on creative thinking, seeing, and skills to express the student’s personal vision. Work from a live model during each class session. TO COVER MODEL COSTS, WE MUST HAVE 5 FULLY PAID STUDENTS FOR THE CLASS.

July 11-Aug 29

A four-day art camp for 5-7 year olds and 8-12 year olds.

June 24-June 27

Got an eye for style and trends? Interested in the fashion industry? Are you full of design ideas and want to learn to draw fashion? This workshop will have you working like a real design assistant and includes NYC excursion.

July 8 –July 12

The aim of this workshop is to gain greater awareness of the structures of the hands and feet. Fred will teach students how to see form and translate it onto the canvas. He will also discuss common mistakes and how to avoid them. Basic anatomy will be discussed and the workshop will give students practice drawing and painting from a live model.

July 8 and July 9 Mon. & Tues.

Alla Prima is a direct method of finishing a portrait (or figure painting) in one session as done in the past by portrait painters such as Frans Hals, Robert Henry, and John Singer Sargent. This workshop will guide the student through the whole process needed to create a portrait from start to finish. Demonstrations and lectures will cover composition, proportion, light effect, paint quality, likeness, and anatomy in helping the student create unique portraits.

July 15, July 16 Mon. & Tues.

Alla Prima is a direct method of finishing a portrait (or figure painting) in one session as done in the past by portrait painters such as Frans Hals, Robert Henry, and John Singer Sargent. This workshop will guide the student through the whole process needed to create a portrait from start to finish. Demonstrations and lectures will cover composition, proportion, light effect, paint quality, likeness, and anatomy in helping the student create unique portraits.

July 10, 17, 24, 31 Wed.

You can never get away from leaves in nature paintings but why would you want to? Perhaps because the perspective of leaves is tricky and the greens can be elusive? This workshop will help you deal with both of those issues. Try a variety of drawing and measuring techniques to find those that work best for you in creating leaves curling in space. And although the soothing varieties of green in leaves cannot be found in the intense greens straight out of a paint tube, this workshop offers a simple process to create a full range of subtle and convincing foliage colors. Students can work in watercolor or colored pencil.Bring a variety of leaves to class, both potted and cut. Make sure to keep the stems of cut leaves in a bit of water so they do not wilt. Instructor will also have some leaves on hand.

Pack lunch for class. E-mail jones2teach@mac.com for materials list.

July 22 and July 23 Mon.& Tues.

Elegant, fragrant and storied, lilies deserve a place in your art repertoire. This two-day workshop will introduce drawing techniques to demystify the challenges of perspective and proportion. Add to your skills by practicing shading techniques that enhance the lilies’ sculptural structure while mixing color through layering pencils. The workshop will include approaches for both dry and watercolor pencils. Bring potted or cut lilies to class. Instructor will have a limited number of lilies available at cost.
Pack lunch for class. E-mail jones2teach@mac.com for full materials list.

July 29 and July 30 Mon. & Tues.

Alla Prima is a direct method of finishing a portrait (or figure painting) in one session as done in the past by portrait painters such as Frans Hals, Robert Henry, and John Singer Sargent. This workshop will guide the student through the whole process needed to create a portrait from start to finish. Demonstrations and lectures will cover composition, proportion, light effect, paint quality, likeness, and anatomy in helping the student create unique portraits.

Aug. 19, Aug.20 Mon. & Tues.

From First Dynasty Egyptian embroidery to the Bayeux Tapestry, molas, Chinese Ming Dynasty squares, American quilts and samplers to my own contemporary embroidered collages, stichery has been a recognized form of fine art. This workshop allows you to create your own art using embroidery thread or wool on felt, burlap, or canvas backings. You will be free to incorporate other media, attaching fabrics, papers, or found objects and adding any color media of your choice. Historical and current examples of stitchery as art, technique demonstrations, aesthetic considerations and ample time to create your own stitched art are included in this five-hour workshop. It is suggested that participants bring along a bag lunch.

August 13, Tues.